Friday, April 24, 2009

a brief summer-ish interlude

First, I'd like to say one thing-

HOORAY it's gonna be WARM and SUNNY for the next few days, and it's top-down weather fer sherr...!

Ok, now that that's out of the way.

You've asked for it- my picks for convertible-friendly summertime tune-age.

Of course, there's the obvious:
+44 (Mark Hoppus & Travis Barker of Blink-182), When Your Heart Stops Beating (2006, Interscope)
There are 13 reasons to love this album. Every track is worth it. I've mentioned it before, without giving it a real good spin, but let me elaborate a little. I've had this in constant rotation on my iTouch lately. +44's got some pretty good lyrics, reminiscent, of course, of the Cure, but they kind of remind me of Unwritten Law, too- and if you know me at all, you know what a freak I am for UL. Yes, you'll have to jog the volume on a couple of tracks if you're stuck in traffic next to a minivan full of kids, but very briefly. I find myself humming bits and pieces from nearly every track, and the duet "Make You Smile" with Carol Heller is so sweetly performed that it always lifts my spirits, even if it's not exactly a happy song.

Angels & Airwaves, both albums
I'm pretty sure I don't really have to tell you what or why for these two. Just... get your hands on some, give it a spin. You'll see what I mean.

The Gaslight Anthem, The '59 Sound (2008, Side One Dummy)
First things first- I must extend special thanks to DJH for sending me a boatload of tunes, some of which I've made permanent in my iTouch, and others I've yet to explore.
The Gaslight Anthem has this really cool retro rockabilly sound, minutely reminiscent of early Killers. I've not paid special attention to the lyrics just yet so I can't say for sure how traffic-jam-friendly this might be in the Jeep, but on the basis that GA's sound just plain gets me right *there* I'm gonna have to recommend that you acquire The '59 Sound. Even better, they're local- New Brunswick, NJ- which makes me very happy to spread their sound all over town. For real- that's how big things happen.

stellastarr*, Stellastarr* (2003, BMG)
stellastarr* was another of the artists I picked from D's collection. (They also give me reason to use the most asterisks I've ever used in three inches of space, which is no easy feat since that particular function of my keyboard is broken.)
I'm not really sure how describe their sound, except to say that it kind of reminds me of 80s-era rock, but, like GA, contains rockabilly elements as well. I know I've told you that "My Coco" is easily one of my new fave tracks, and that still stands. It makes me want to dance like crazy. The rest of this album is great- totally unique guitar riffs, incredible melodies and harmonies, and the lead singer is just awesome, because of his vocal range and his overall tonality- it's just so incredibly unique, you won't hear very many others like him. They're kind of local, New York City, and I dig that.

The Airborne Toxic Event, The Airborne Toxic Event (2007, The Island Def Jam Music Group)
Gonna have to watch the volume on this one, I've caught an f-bomb already, but this wall of sound masterpiece is exquisite. I must be after a particular sound these days, because this album is strongly reminiscent of both The Gaslight Anthem and stellastarr* in their rockabilly/80s new-wave feel, but something about these bands just makes me want to crank the volume louder. The more I listen, the more I can feel The Strokes shining through their sound, and "Happiness is Overrated" will surely bring The Clash to mind.
ATE takes their name from a Don DeLillo novel, which I've mentioned, and I still don't like the book, White Noise. Definitely worth a listen, though, and I'll tell you right now- "Gasoline" will get you moving. 
I've got no idea where they came from, but I can feel album hitting super heavy rotation on my iTouch.

Railroad Earth (no album specified)
Yep, it's formal this time. I'm sure a handful of you are aware how much I dig this band.
They're very local- from Stillwater, NJ (we almost rented a cabin there)- and it's kind of difficult to really label them as any particular genre. There are absolutely country and bluegrass elements in their tunes, but also some trippy psychedelic sounds (listen to the live recording of "Goat" from the Yarmony Grass show, 8/17/2008, available from archive.org), and of course, my favorite- sweet jammy goodness. And why not, when RRE will often toss a Grateful Dead cover into their live repertoire? 
My favorite track changes with every spin- really- but I think I alternate between "Goat" and "Long Way to Go" (The Good Life, 2004, Sugar Hill Records), "Railroad Earth" and "Seven Story Mountain" (which, conveniently, has just rolled up in my playlist- remember the psychic iTunes? From The Black Bear Sessions, 2004, Bos Music), and "Old Man and the Land" (Elko, 2006, SCI Fidelity Records). 
To date, I've heard lead singer Todd Sheaffer drop the F-bomb twice in all of their albums, in "Standin' on the Corner" (Amen Corner, 2008, SCI Fidelity Records). For damn good reason: "Fuckin' price of oil, fuckin' price of heat." Folks, it doesn't get much more honest than that, considering where we've been financially with both of those necessities. Am I wrong?

That's enough for now, methinks. 
Whether you're riding with the top down or just the windows open, enjoy your summer- we're supposed to have a handful of warm days beginning with today, and you better believe I'm ready! 
I just loaded up my iTouch with some of my favorites, including a recording of the totally awesome RRE show I saw in September, which I am spinning as we speak.



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