New Green Day hits stores today!

But I got it last night. I shall not reveal my sources. Call it an industry insider thing.

Today's the first I've heard the whole thing, and I only heard half of "Know Your Enemy" once on the radio, a couple days ago, actually.

But I'll tell you, barely a quarter way through 21st Century Breakdown, I already know it will join the list of forever-on-my-iPod-albums. 

I'm writing this during my first spin, so I don't have a whole lot to say about the individual tracks yet, but I can tell you that "Before the Lobotomy" and "Last Night on Earth" display a touch of Billie Joe Armstrong's notorious soft side, but in a much cooler way than lite-radio classics "Wake Me Up When September Ends" and "Good Riddance."

The only negative thing I can say about this album is that I'm not really sure I like the whole "rock opera," or one story broken into 18 similarly-veined tracks for the 2nd album in a row (especially after it's been so long in between releases- five years, was it?). I loved, and still really enjoy, listening to American Idiot, but Breakdown :almost: feels like we're re-living it.

And of course, there will be people who claim that Green Day's more evolved sound is crap and that they should have stuck to their formula from the early days (you'll hear similar arguments about Blink-182, Unwritten Law, the Offspring, Bad Religion, etc.). But see, people grow, get older, change their tastes, and acquire new influences. I've got to hand it to them, I think Green Day's sound has aged quite handsomely over the years.

If you like these guys at all, you should invest in the new album. For real. I don't think you'll be disappointed.

A note...

Dear Summer,

Please hurry. You've been gone an awful long time, and we sure do miss you. We have lots of fun stuff planned for when you get here. Also, can you please bring just a little less rain when you come back this year? We sure do like the mud, but we like riding around with the top down a whole lot more.

Signed,

Ashley's Jeep.

Apparently we had to get that missive out of the way before the real writing could begin. 

But with that being said, summer is coming, folks! Rejoice! Hooray! 

Now that you know I drive a convertible, I'm sure it's of no surprise that one of my favorite things ever is "riding around with the top rolled down and the radio on" (Billy Joel - Scenes from an Italian Restaurant) on a sunny summer day. 

Of course, one must be very selective about what music to broadcast when you know that several other people will hear it. Because of my prudish personality, I refuse to listen to anything that contains excessive swear words, or otherwise obnoxious or offensive content. I'm not sure if you realize just how much this limits the "cool" music selection.

For instance: I would never, ever, listen to, say, ABBA at nearly top volume in the open air & sunshine. ABBA = not cool. Ditto for such artists as Enya or Yanni.

Likewise, you would be hard-pressed to find Guns N' Roses in my playlist during the summer, for although I do enjoy listening to such classics as "Get in the Ring" and "Used to Love Her" in the privacy of my own home, I don't believe that the kids in the minivan next to me need to be exposed to that kind of content or language. And as much!! as I love Blink-182, you will absolutely find me turning down the volume once in a while if I hit an intersection just right. 

I believe in decorum and common decency, and just as it's now illegal to watch porn in your vehicle with rear-facing monitors so that little kids can see it, I feel it should be illegal to play offensive music so loud that little kids (and grandmas and moms and your Uncle Joe) can hear it clearly.

One of my favorites for top-down cruising, and I can tell you right now that this definitely comes from my oldest sister, is Paul Simon's "Graceland" album. And not just because it's inoffensive, cheerful, melodic, and has an extremely high sing-along value. No, this has nearly everything to do with the memory of playing hooky with my sister on a spring day in college, grabbing ice cream and driving around local cemeteries to look for signs of our family tree, in her Cabrio, with the top down. 

I suspect this summer will bring the return of my Bob Marley phase (Bob's always perfect for summertime tune-age, there's no denying that island feeling), and I forsee making a few tough decisions to make room on my iPod for some Sublime. These are summer songs for me, "Badfish" and "Rivers of Babylon" have all the imagery of sunshine, sunglasses, and a heat wave behind them.  

I want to know- what do YOU groove to in the summer? Who thumps your speakers? Do you find yourself going back to a handful of artists from days past, or do you use the summer to find new classics? Tell me. Don't be shy. You might just give me some ideas.

Mark, Tom, & Travis

I know you're all totally sick of hearing me talk about Blink-182. 

But, I have to tell you about +44. 

This is Mark Hoppus and Travis Barker's band... and they are awesome. 

+44 (so named for the international dialing code for the UK) sounds like Blink meets the Cure meets every punk love song you've ever heard- but they're good. 

It's easy to hear the angst and frustration in their lyrics- "Quit cryin your eyes out, and baby come on. It's like there's something familiar about me, the past is only the future with the lights on. So quit cryin your eyes out, baby." ("Baby Come On," When Your Heart Stops Beating) Please tell me none of you can identify with that feeling right there- can you even say that truthfully? Didn't think so.

I've given When Your Heart Stops Beating quite a few spins since downloading it last weekend, however, I don't seem to have much time to listen without multitasking, so I can't really tell you too much about the album in-depth, though I'd like to, because you should definitely check it out. I can tell you that with the warmer weather coming up, you can rest assured that I will be spending more time pounding the trails with my iPod by my side, and I will be able to give this, and other new albums I've acquired, my full attention. In fact, I might even venture out today.

Time keeps moving on and on and on...

(title from Blink 182 - Man Overboard - The Mark, Tom, & Travis Show)

Holy, holy cats.

I just read the best news-- Blink 182 is reuniting for a tour this summer! 

Please, readers, don't be offended when I tell you that my first thought upon reading it this morning was, "There IS a God!!!"

We have been waiting for this for several years. You've already seen me sing my praises for Angels and Airwaves (AVA), and for good reason - Tom DeLonge is a genius.

I'm terribly, terribly excited and I cannot wait to see what Mark, Tom, & Travis have up their sleeves for their fans!

On a much less giddy note, Unwritten Law singer Scott Russo lost his family home in a fire last week. 

All humans are safe; the Russo pets and belongings, tragically, did not survive. 

Scott's family members were also hurt by our failing economy, and as a result, he was the sole provider and their home was uninsured. 

If you are an Unwritten Law fan and would like to offer Scott your financial or emotional support, please visit UL's MySpace page for more information.

I Miss Back When

(title from Tim McGraw - Back When - Live Like You Were Dying)

You know how everyone has one of those "you know you're getting old when" sayings?

I knew I was getting old when I could no longer name any one music genre as my favorite.

I maintain that if it doesn't have any solid guitar work, I'm not really interested, but I've expanded my taste from metal, punk, and rock & roll to country (oh, do I love country), bluegrass, jam bands, and all those moldy golden oldies our parents love to sing horribly in public to embarrass us. 

But then, there are a few artists whose work I get giddy over purely for the thump. I have a folder called "GOTS A BEAT" for them. I think it's right above "HIPPIE TUNES" in the tree. Really.

I think maybe it's the artists that grow up, too. Green Day, for example. I love the first few albums, but I'm more partial to the newer, older Green Day- the stuff after Dookie. I dunno, to me they just seem more orchestrated as the albums span- tighter, more focused- I'm a huge fan of American Idiot and I think that's the best example of their experience as a trio. 

And then you get into artists like Blink-182- I mean, Tom DeLonge? Holy cow, is that man a musical genius. You've got older Blink stuff that's loopy, fun, loud, and childish, but still pretty tight- I'll cite "Voyeur" and "A New Hope" from Dude Ranch, and you go search those lyrics- they're stupid, funny, immature, and yet the melodies and harmonies are pretty decent for a trio of punk rockers. But then you've got the stuff from their last album before the hiatus- the self-title- it totally blew me away, and even 5 years later, it still does. It's still on my iPod, it never came off, it never will. 

But it's DeLonge's most recent public project- Angels & Airwaves- that makes my heart do loop-the-loops. There's a postsecret.com postcard that says, "Angels & Airwaves makes me believe in love again," and I think that about summed up my feelings to a T. The "wall of sound" and synth-heavy background doesn't follow the lyrical melody, but complements it perfectly. DeLonge is clearly still influenced by the Cure (Robert Smith made an appearance on the self-title to sing lead vox for "All of This"), but the infusion of the 1980s-style synth and electronic drum does not feel outdated in either album. And that's what I love- this stuff is timeless, I can listen to it on my worst of days, and maybe two tracks later, all that ticked me off has floated away. That's important to me- that's what music should do.